Bridging In-between-ness as a Situation Space through Photography in the Sixtieth Anniversary of Migration
I believe that the main motive shared by these four exhibitions, focusing on different sequences of the long history of migration from Turkey to Germany on different occasions, is a semantic bridge. While visiting the exhibitions, the reactions of new generations with migration background suggest that they have developed a new understanding of a time that is now long gone yet determined [shaped] their own existence.
